I worked with the visionary director, Sepe Rafidi, again this week on his piece, 'Hana'. It involved an impressive cast and some amazing visuals. I was with the camera department as 2nd AC and we were working with the Sony AS700 and of course Sepe's DIY dolly. It's always an adventure with younger talent and keeping energy consistent but our young lead was on point the entire day. The biggest challenge on this shoot was set design and keeping 1000 crane props in order all while painting a striking frame for camera. Challenged accepted. The selfless art department worked overtime and we got the shots.. I look forward to seeing this one put together!